Black and White Few Infra-Red with an FTbn --

Discussion in 'Post Your Photos' started by Old Film Bloke, Jun 26, 2020.

  1. Old Film Bloke

    Old Film Bloke Active Member Site Supporter

    Joined:
    Apr 25, 2017
    Messages:
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    Location:
    Brentwood, England
    Equipment:
    A-1, AE-1, FTbn, FD lenses: 28mm f2.8, 35mm f3.5,50mm f1.8, 50mm f1.4, 100mm f2.8, 200mm f4, 75-150mm f4.5 zoom Tokina FD fit 300mm f2.8, extension tubes, Gift CANON 1000F + kit lens and a Sigma 70-210mm, Gift CANON EOS 300v + 28mm f4-5.6 and 75-300mm f4-5.6 Another GIFT a CANON POWERSHOT G5 Digital ,2008 EOS 1000D DIGITAL
    Using up the last 10 frames of a 1997 Dated Kodak High Speed Infra-Red film which I cut from a Pentax LX used to first Tests. I used a New FD 50mm f1.8 and 25A RED filter and got exposures of 1/125 @ f6.3 but one was badly over-exposed of the 'Courgettes' in a friend's garden . his Wife's LETTUCE came out well and she gave me some to take home!
    a TEST Subject I use in my Road --
    [​IMG]CANON Infra Red Tests by Peter Elgar, on Flickr
    Over-Exposed Courgettes
    [​IMG]CANON Infra Red Tests by Peter Elgar, on Flickr
    Lettuce came out well !
    [​IMG]CANON Infra Red Tests by Peter Elgar, on Flickr
    No Difference with 'Iron Work' as it has no 'Chlorophyll' to reflect Infra-Red
    [​IMG]CANON Infra Red Tests by Peter Elgar, on Flickr
    My friend's ROSE came out well --
    [​IMG]CANON Infra Red Tests by Peter Elgar, on Flickr
     
    rayallen likes this.

  2. GDN

    GDN Well-Known Member

    Joined:
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    South Island, NZ
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    A little Canon stuff
    I like the last rose image Pete. I have never tried IR photography.

    Gary
     
  3. Craig Sherriff

    Craig Sherriff Well-Known Member Site Supporter

    Joined:
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    Location:
    Tasmania, Australia
    Equipment:
    60D,350D 1dmark3, T70, AV1, lenses ranging from 28mm to 600 mm, canonet Junior, Canonet QL 25, Mamiya C3 and 3 lens sets,Mamiya 645 pro TL and 3 lenses.Mamiya universal press camera and 4 lenses, Mamiya RB67 Pro S and 5 lenses, Pentax MG and various lenses, Toyoview 4 * 5 inch large format camera,Calimat C1 8*10 inch ultra large format camera.
    Interesting Peter as i have never used infared film before, is there anything different when using blackand white and infared.
     
  4. Old Film Bloke

    Old Film Bloke Active Member Site Supporter

    Joined:
    Apr 25, 2017
    Messages:
    159
    Location:
    Brentwood, England
    Equipment:
    A-1, AE-1, FTbn, FD lenses: 28mm f2.8, 35mm f3.5,50mm f1.8, 50mm f1.4, 100mm f2.8, 200mm f4, 75-150mm f4.5 zoom Tokina FD fit 300mm f2.8, extension tubes, Gift CANON 1000F + kit lens and a Sigma 70-210mm, Gift CANON EOS 300v + 28mm f4-5.6 and 75-300mm f4-5.6 Another GIFT a CANON POWERSHOT G5 Digital ,2008 EOS 1000D DIGITAL
    The only 'Different' is that it is best to meter with a separate meter rather than go through the Red Filter - but my FTbn has NO BATTERY anyway ! Then you FOCUS and see where the focus mark is on lens then MOVE that mark to the very small Red Line which is the focus for Infra-Red.
     
  5. Craig Sherriff

    Craig Sherriff Well-Known Member Site Supporter

    Joined:
    Apr 25, 2017
    Messages:
    3,223
    Location:
    Tasmania, Australia
    Equipment:
    60D,350D 1dmark3, T70, AV1, lenses ranging from 28mm to 600 mm, canonet Junior, Canonet QL 25, Mamiya C3 and 3 lens sets,Mamiya 645 pro TL and 3 lenses.Mamiya universal press camera and 4 lenses, Mamiya RB67 Pro S and 5 lenses, Pentax MG and various lenses, Toyoview 4 * 5 inch large format camera,Calimat C1 8*10 inch ultra large format camera.
    Do you process your own film and if you do is there any difference in the chemicals, timing of the inversions and standing.
     
  6. Old Film Bloke

    Old Film Bloke Active Member Site Supporter

    Joined:
    Apr 25, 2017
    Messages:
    159
    Location:
    Brentwood, England
    Equipment:
    A-1, AE-1, FTbn, FD lenses: 28mm f2.8, 35mm f3.5,50mm f1.8, 50mm f1.4, 100mm f2.8, 200mm f4, 75-150mm f4.5 zoom Tokina FD fit 300mm f2.8, extension tubes, Gift CANON 1000F + kit lens and a Sigma 70-210mm, Gift CANON EOS 300v + 28mm f4-5.6 and 75-300mm f4-5.6 Another GIFT a CANON POWERSHOT G5 Digital ,2008 EOS 1000D DIGITAL
    Yes -- I process my own B&W and some C41 colour. but NOT E6. I have always had Chemicals since my schooldays at East Ham Grammar School Photographic Society 1952 where our Chemistry Master showed us impoverished Pupils how to make up our own developers-- so I make up my Film and Print (B&W) developers from Chemicals -- I use a lot of the famous Geoffrey Crawley's Formulae, who invented 'ACUTOL' , the Formula for which is still 'secret' BUT his 'ACUTOL-S' is not so that is known as 'FX-15' and I use THAT for Infra-Red film. I HAVE used ID11 but did not get such fine grain results. I agitate once per minute after 30 seconds continuous at the start, then I push a thermometer down the hole of the Paterson Tank to test temperature -- in Summer it rises a few degrees so I usually knock off 15 or 30 seconds development time . Here is the FX-15 Formula I use at 1+1 dilution :and 13 minutes for Infra-Red film.
    METOL 3.5 Grams
    SODIUM SULPHITE (Anhyd) 100.0 Grams
    PHENIDONE 0.1 Gram
    HYDROQUINONE 2.25 Grams
    SODIUM BISULPHITE 0.5 Gram
    BORAX 2.5 Grams
    SODIUM CARBONATE ( Anhyd) 1.0 Gram
    POTASSIUM BROMIDE 1.5 Grams
    Filtered Warm Water to make 1 litre
    Hope this helps --
    Peter
     
  7. Craig Sherriff

    Craig Sherriff Well-Known Member Site Supporter

    Joined:
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    Messages:
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    Location:
    Tasmania, Australia
    Equipment:
    60D,350D 1dmark3, T70, AV1, lenses ranging from 28mm to 600 mm, canonet Junior, Canonet QL 25, Mamiya C3 and 3 lens sets,Mamiya 645 pro TL and 3 lenses.Mamiya universal press camera and 4 lenses, Mamiya RB67 Pro S and 5 lenses, Pentax MG and various lenses, Toyoview 4 * 5 inch large format camera,Calimat C1 8*10 inch ultra large format camera.
    I went to a school that did not have such interesting subjects, all we had was the 3rs, wood work , metal word and tech drawing.
    It is only in the last 10 years that I have been able to indulge myself in photography.
    I am lucky to now be happily divorced, so I can buy what I want when I want, having a garage under my house, so room for a darkroom .
    Construction is slow due to the need to remove some large rocks the size of small boulders.
    Removal of them will hasten the leveling of the ground and allow the framing of the walls and flooring to be complete.
    I have two enlargers and all the darkroom nick nacks needed to proceed .
    Hopefully the darkroom will be up and running in two to three months.
     

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